来自北京的女记者纪雅清去云南普洱完成追寻一名台湾老人初恋的专题,碰到了老人的孙子许念祖。两人为了同样的目的携手踏上旅程,寻找真相与自我。游走,周旋,辗转;怀疑,猜度,游戏人间;旅程的最后,两人学会了勇敢面对自己的感情。。Made for only $350,000 in 1985 when no one wanted to fund or star in a movie about lesbians, Desert Hearts is widely considered the first full-length lesbian love story, and its success paved the way for the proliferation of lesbian films we enjoy today.
Directed by Donna Deitch and set in 1950's Reno, Nevada, Desert Hearts tells the story of a 35-year-old uptight female professor Vivian (Helen Shaver) who comes to town to file for divorce and ends up falling in love with a free-spirited 25-year-old casino worker Cay (Patricia Charbonneau).
Although Vivian left her husband because she had "drowned in still waters," she is not quite prepared for the tidal wave-effect Cay has on her life. As Vivian herself admits, her life is all about "order," and her image of herself as a scholar and a professional, upstanding woman does not include a relationship with a woman. Cay, meanwhile, is living at home with her stepmother, Frances (Audra Lindley) while she waits to meet someone who "counts"--and she almost immediately recognizes that Vivian is that someone.
Both women struggle with conflicting desires and a sense of obligation to others, and are ultimately drawn together not just because of their attraction to each other, but because each woman offers the other something she has been unable to find on her own.。《干花》这部风格强烈的「艺术黑帮片」制作于任侠电影黄金时代的开端,以强烈反差的黑白摄影及武满彻诡异的配乐,带领观众梦游石原慎太郎原著的「仁义」地下世界。 作为松竹新浪潮的一员,篠田正浩则是自觉地离开片厂,走上独立制作的道路。篠田的《乾花》有趣的地方,可能是见到本是文艺小生的池部良,如何开始转型成为一位「任侠」。虽然在这部电影中,他还是一个典型的石原慎太郎太阳族小说的迷惘主人翁,但走上罪犯的道路后,他很快就成为「昭和残侠」的一员。日本的黑帮片,可能是把罪犯神话化的极致了。 《干花》,这部筱田正浩的新浪潮时期的作品,改编自石原慎太郎的原著。这部小说和另外一部石原慎太郎作品《太阳的季节》的出现,给新浪潮中重要一类电影立下了“太阳族电影”的名字。这部冷酷迷人的电影所展现出来的虚无主义情绪似乎比大岛洼的成名作《残酷青春物语》还要强烈得多,技术也更高超得多。 除...。