故事发生在1942年的晋察冀地区,八路军为了宣传日军对中国军民的残酷迫害,派战地记者搜集并拍摄证据,把拍成的照片印成画报进行宣传,当时的日军为了打击中国军民的抗日气势,开始对宣传用的油墨进行大肆的垄断。为了弄到油墨,身为卫生员的王翠娥总想跟政委申请去城里弄油墨,性格直爽的她执行接应战地记者孙汉的任务时偶遇土匪罗胡子,发生了一系列幽默搞笑的事,翠娥面对日本鬼子临危不惧,智取做油墨的原料猪油,为了剿灭日军小分队打算英勇就义的翠娥被看在眼里的罗胡子感动,激起了爱国情结,救出被日军抓到的翠娥和孙。This series is above the expectations they had about it. It is very fast (beyond the tempo of each episode) conflicts are able to develop and resolve in each episode. Which for one as a spectator is very good since the rhythm is never lost. On the other hand, humor management is constant and gives it its point of grace so that conflicts, which are very deep, can occur with a li...。城市里,人们跨坐椅垫、戴上安全帽,转动油门手把,一天的旅程于焉启动。日本导演近藤宏使用缩时摄影、慢速快门,纪录台湾独有的机车洪流,将寻常街景转译成壮观的多重宇宙;数万影格呈现车潮既纷乱又齐一的美感,拼凑出异中存同的众生相,更营造时空错置的瑰丽科幻气息。镜头凝结了日常时分,那些不再重来的时刻。 「我把焦点关注在人与人之间的寂寞与脆弱,这些连结棉织成这个朦胧的城市。试想,我们在这个城市中的每一刻,都与无数的人共享同一个时空,但却可能永远都不会再有相见的机会。」──近藤宏。