死刑犯 A,殺害好友後勒贖。死刑犯陳昱安,砍殺父親111刀。死刑犯鄭捷,於捷運上隨機殺人。「死刑犯」是司法給他們的一個標籤,但這三個人作為人的身分卻為人漠視,而至親所背負之痛,更從來無人知曉⋯⋯。 曾以紀錄片《起點》、《我無罪,我是鄭性澤》長期關注司法議題的導演李家驊,這次選擇了三位犯行各異的死刑犯為主角,有人尚在服刑,有人在獄中自戕身亡,有人已遭到槍決伏法。在「殺人償命」 的正義大纛前,他們的命運殊途同歸,宛如報廢的物件,但在律師、死囚家屬面前,標籤之後卻是一個個血肉之軀。全片以平實的採訪片段與報導影像, 不拘泥於法條本身,而是深刻表達了導演對「人」 的處境的關懷,爬梳現代台灣司法死刑史之餘,也引出了對現行體制的叩問。。唐武德九年,内廷生变,原太子之女李长歌侥幸逃出,赴幽州求援。途中,长歌偶遇化名为秦准的草原部落特勤阿诗勒隼,两人不打不相识,渐生英雄相惜之感。长歌在幽州粉碎一场阴谋,与此同时身份败露,前往朔州避祸。她藏于㮶州太守公孙恒身边,助其共抗草原势力侵袭,却未想到敌方将领隼竟是旧识秦准。长歌震惊痛心,力抗隼。然而㮶州孤城难支终究陷落,长歌为大局甘愿沦为战俘被押往草原,却意外得知大可汗另有野心。长歌决定暂放私仇,以身涉险拼死破局,不料身陷死局,隼为救长歌不惜与大可汗为敌,两人却阴差阳错天各一方。长歌辗转流亡,亲历乱世的她逐渐领会仁者无敌的道理,最终彻底放下个人恩怨。在发现前隋势力才是挑动事端的幕后黑手后,长歌与隼联手守护大唐与草原的和平,两人也终于认清了对彼此的情感,携手共赴危局。。French director Alain Guiraudie’s follow-up to his 2013 controversial and daring film STRANGER BY THE LAKE once again shocked the audience at Cannes Film Festival. This wild and dark comedy is a departure from the style of his previous film, the unexpected ending created a jaw-dropping moment for audiences from around the world. Filmmaker Leo meets free-spirited Marie, together, they create a baby. With no confidence in Leo’s future, Marie abandons Leo and the baby, leaving Leo alone with a baby to feed. While struggling to continue his career as a filmmaker, Leo is going to do whatever it takes to survive despite a series of unexpected turns and shocking encounters.。