The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。讲述了短短的一天一夜,餐桌之间的对话,争吵,各自错综复杂的人生故事。通过一个旅店形形色色的人物,展现了社会上普遍存在的信任危机现象。。娜美偶然得到一张珍兽岛的地图,据说那里埋藏着无价的宝藏,草帽海贼团的诸位不顾乔巴的阻拦,决定向这座小岛挺进。正在此时,海底火山爆发,将黄金梅利号抛向空中。机缘巧合,他们竟然被抛到了珍兽岛。这个小岛由会说人话的动物统治,它们的老国王麒麟狮已经仙逝,偶然跌落于此的乔巴被众兽奉为新的国王。乔巴拗不过众兽,权且任职。正当珍兽岛为新国王的诞生欢欣鼓舞之时,贪婪邪恶的巴特拉伯爵及其爪牙登陆小岛。为了传说中的“国王宝藏”,他不惜对岛上的动物大开杀戒。他们也势必和草帽海贼团发生冲突…… 本片根据日本漫画家尾田荣一郎的同名原著改编,是2002年上映的第三部动画剧场版。。