功夫派组合
5 年前
搜影视
本剧的故事舞台设定在 TOYO制作公司艺能四部，这里是个充满问题艺人和个性鲜明明星的聚集地，由冷酷毒舌部长・犀川真一郎（安田显饰）负责管理。新人经纪人・神田川美和（川荣李奈饰），在犀川的无理指令下疲于奔命，同时奔走于演艺圈，努力挽救那些濒临崩溃的艺人们。实际上，美和童年时期曾是国民级天才童星，但她一直隐藏着这段过去。如今，她凭借出色的洞察力和演技，挑战拯救“问题艺人”的任务。即使身处谷底，也不愿放弃梦想的人们，一场“人生逆袭喜剧”拉开帷幕！。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。
