In this bitingly satirical film Peter Slovan, a continuous source of trouble for the film functionaries of the socialist Slovakia, tackles an evergreen topic – the corruptive effects of power. Barnabáš Kos, a triangle player at a symphonic orchestra, is suddenly promoted to serve as the head of the said institution, even though both he and his superiors deem him completely unfit for the task. Encouraged in equal parts by this unexpected recognition and the servile praise of his colleagues, Kos’s modesty starts to gradually vanish. The erstwhile bashful and aloof percussionist quickly becomes aware of the advantages of his new office, and begins to realise his increasingly ludicrous artistic ambitions. Ultimately, the submissive marionette turns into a source of public humiliation, and his astonishing career finds an abrupt end. Orchestra serves here as a microcosm that grotesquely reflects the absurd and tragicomic mechanisms of the paranoid apparatus of power.
Digitised in 4K and restored in 2K, based on the 35mm camera negative, by the National Film Archive of the Slovak Film Institute. The original film elements are preserved by the National Film Archive of the Slovak Film Institute.
Eva Näripe。1951年夏,新疆帕米尔高原。边疆军民的生活正受到特务组织的威胁。从外地娶来的新娘子古兰丹姆实际是女特务古里巴儿假扮。她的到来勾起了解放军哨所战士阿米尔的心酸回忆,本来是青梅竹马的一对,彼此却在早年失去联系。当假古兰丹姆得知这段童年往事之后,对阿米尔格外亲昵,以刺探军事情报。这一反常举动引起杨击哨所。可敌人的千算万算却没有逃过我军设下的天罗地网。杨排长将计就排长的高度警觉。不久,敌人得寸进尺,偷越边防袭计,不仅揭穿了假古兰丹姆的真实面目,更是把这伙狡猾的特务一网打尽。阿米尔终于和真古兰丹姆再次重逢,在胜利的凯歌中迎接旭日东升。。生产那天,我亲眼看到闺蜜在医院调换了我和她的女儿。我将她女儿带回家精心抚养。十八年后,孩子在我的养育下考上了清北。而我女儿却被闺蜜日夜虐待。升学宴闺蜜带着残疾女儿和鉴定报告来到我面前说:当年医院抱错了孩子,现在该换回来了。我讳莫一笑道:好。。