“The cinematic spectacle has its rules, which enable one to produce satisfactory products. But dissatisfaction is the reality that must be taken as a point of departure. Whether dramatic or documentary, the cinema functions to present a false, isolated coherence as a substitute for communication and an activity that are absent. To demystify documentary cinema it is necessary to...。古代铸剑名匠干将、莫邪,被迫为国王铸造宝剑,剑成后遭迫害致死。其子眉间尺长大后,前去复仇。经多次失败,眉间尺最后与残暴的国王同归于尽。。